I was up until 4am last night programming some voicings in the Eventide H9's "Quadravox" algorithm, and today's practice session is what was born out of that. I love the fact that I can program up to for voices over four octaves, but have yet to find a solution for programming parallel voicings, and not being tied down to a mode or tonal center. 

There's a lot of Michael Brecker EWI influence here, and I've been a big fan of Robby Kilgore and George Whitty who I know both did programming for Mike's setup. But there there is an equal amount of influence from modern pop and electronica producers as diverse as Diplo and Trentemoller. 

There will be an upcoming episode of The Pedal Studio that deals with exactly how I got these sounds programmed, but for now, this is what I'm doing with them to integrate them into my setup, and make them work in a live situation. 

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